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We are hardwired to long for happiness. But is happiness something that wells up from within us or is it sourced externally, and if so, what are its terms? More to the point, who sets those terms, and what does the answer say about our ability to engineer our own happiness? Such are the questions I found myself asking as I watched the first season of Takehiro Kubota’s anime series My Happy Marriage.
The principle recognizing the prerogative of parents to educate their children is no longer just a haven from the tyranny of the State. The “right” itself has become an arbitrary claim, with “gender-affirming” parents appealing to it as proxies of their children’s “right to choose.” And the “parents” bearing the right are, increasingly, those who choose children—producing and buying them—not the ones who have them. Unless parents’ rights are grounded in the authority mothers and fathers possess as participants in a prevenient natural order, to which they themselves are beholden and for which they are responsible, it will become the arena of a lesser known, yet no less terrible, tyranny: the Huxleyan tyranny of our own desires.
Humanum is about the human: what makes us human, what keeps us human, and what does not. We are driven by the central questions of human existence: nature, freedom, sexual difference and the fundamental figures to which it gives rise, man, woman, and child. We probe these in the context of marriage, family, education, work, medicine and bioethics, science and technology, political and ecclesial life. We sift through the many competing ideas of our age so that we might “hold fast to what is good” and let go of what is not. In addition to articles, witness pieces, and book reviews ArteFact: Film & Fiction searches out the human in the literary and cinematic arts.
Humanum is published as a free service by the Pontifical John Paul II Institute for Studies on Marriage and Family in Washington, D.C.
