Daniel Taylor’s three mystery novels—Death Comes for the Deconstructionist (2014), Do We Not Bleed? (2017), and Woe to the Scribes and Pharisees (2020)—are real page-turners. They deliver suspenseful plots, delight by rich allusions, and challenge through thoughtful explorations.

A Review of Tim Winton's The Shepherd's Hut.

By all normal “rules” of the world of television, a sitcom about the afterlife and moral philosophy should not have worked, but it did, not least because the writing is quick, clever, and smarter than most anything I’ve seen.

A Review of Edwin O'Connor's The Edge of Sadness.

More often than not, the modern memoir proves to be a survivor’s field notes on the loss and reconstitution of self: a lush, gory, or strident examination of a protagonist’s memories—and an antagonist’s sins. So when we pick up a memoir, we assume we will find these two central characters... The first clue that Ron Hansen’s Hotly in Pursuit of the Real: Notes Toward a Memoir is something different to this is its borrowed title...

A Review of Trevor Jimenez’s Weekends.

A Review of Ann Patchett's The Dutch House.

A Review of Netflix's Messiah.

A Review of Greta Gerwig's Little Women (2019).

A Review of Terrence Malick's A Hidden Life (2019).