Modernity has flattened and fractured our cultural understanding of the human person. Dr. Holly Ordway, Word on Fire’s Cardinal Francis George Professor of Faith and Culture, offers a refreshing counterpoint to this decline in her recent book, Tolkien’s Faith: A Spiritual Biography. Laying out meticulously researched evidence, she presents J.R.R. Tolkien as a whole man, a man whose faith enlightened his mind and his relations, a man fully alive.

Stargazer in Bethlehem

You looked back at me
In the split second before heartbreak
Claimed what remains of my creation

At the very moment
My arms and legs
Readied themselves for starless night
You became more real
Than earth revolving around sun...

Will Arbery’s 2019 play Heroes of the Fourth Turning received significant critical attention after its release, with both left- and right-leaning media seeing it as a hermeneutic for understanding the role played by American Catholic conservatism in the election of Donald Trump. However, the play has received little recognition for its more incisive anthropological and ecclesiological insights.

Time rules over man. It propels him through life, which is short when compared with eternity, and ushers him through life’s events, which often seem inconsequential beside history’s kings and wars. All of man’s experiences exist in and through time, and the means by which man communicates these experiences and thoughts—language—is also temporally bound. The nature of a novel, a poem, a sentence, or even a word, signals its mortality. It exists in time; it begins, and it ends.

Last summer, Netflix released the fourth and penultimate season of the sci-fi horror drama Stranger Things to widespread rave reviews. Many fans saw this latest installment as a return to the exceptional storytelling of the show’s first season. For those of us with an interest in theology, it provided a compelling exploration of the age-old battle between good and evil that resonates with Catholic spirituality.

Ruth Ozeki’s novel, The Book of Form and Emptiness, is a conundrum—at turns enraging, confusing, impenetrable, intriguing, luminous, and beautiful. Its protagonist, Benny Oh, is the precocious child of an American mother and an Asian father. His mother, Annabelle, though insecure and unassertive, has found happiness in the cocoon of her family. His father, Kenji, is a jazz-clarinetist and is a loving but free-spirited and somewhat irresponsible husband and father. Benny is kept safe and is content in the closed circle of his family group. This happy domesticity is destroyed, however, when Kenji, drunkenly returning home from a gig, lies down in the alley behind their house and is killed by a truck hauling live chickens.

The short story “Leaf by Niggle” is Tolkien’s most sustained autobiographical work reflecting on his relationship with his art. It provides unique insight into how Tolkien conceived of the proper relation between one’s “creations” and the rest of one’s life. The story portrays an artist named Niggle, a painter whose main flaws are his kind heart, which makes him “uncomfortable” in front of other people’s problems, and his perfectionism, which leaves him consistently dissatisfied with his own work.

Reviews of HBO’s remake (2021) of Ingmar Bergman’s Scenes from a Marriage have been lukewarm. While heaping praise on Jessica Chastain and Oscar Isaac—whose chemistry as a couple can make even divorce seem enviable—critics have questioned whether the five-part miniseries, created and directed by Hagai Levi, really adds anything to our understanding of marriage in modern life.

Reading Czesław Miłosz’s poetry can feel a bit surreal these days. Frequent visual echoes of his poems flash by on screens, images of cities turned to rubble, armored vehicles patrolling through wreckage, and refugees fleeing across eastern Europe. Miłosz’s poetry is partly a poetry of witness, work influenced by his first-hand confrontation of Nazi and Communist aggression during and after the Second World War.